New Thriller Coming From Down & Out Books

A Special Operations “fixer” for Homeland Security, U.S. Marine General Ray Hauser, teams up with Air Force Special Agent Sunny Hicks to recover a stolen GAU-8, the Gatling-gun like nose cannon of the military’s most destructive gunship, the A-10 Warthog. The weapon fires three thousand rounds a minute, each round’s explosive power equal to a stick of dynamite. Attached to a flatbed trailer, parked near Los Angeles traffic at rush hour, three thousand people could die within police response time. Ray has another, more personal incentive to find those who stole the horrific weapon. His wife, Alissa, went missing years ago investigating a similar theft inside the same Arizona desert. If he can solve the GAU-8 case, there’s a chance he can discover what happened to his presumably dead wife, even catch her killers. But that stolen Gatling-gun-like cannon also holds special attraction for Jessie Maris, unhappy wife of the weapon’s chief thief, Nolan Maris, a career criminal who plans to sell the GAU-8 for half a million. Jessie has been abused all her life, especially by the judge in a Family Court case many years ago. When her husband Nolan keeps her in the dark about his plans, then physically beats her, Jessie goes on a rampage that leads her and the GAU-8 to an old abuser and a crowd of innocents. Can Hicks and Hauser stop her? U.S. Special Operations never dealt with a battered, over-the-edge woman like Jessie before.

Big Advances For Books That Don't Sell

OutKick A new report details that some editors and publishers are getting sucked into giving out huge advances to left wing authors for books that don't sell. Check out Disney stock if you don't believe that old saying about going woke and going broke. The Free Press reported on a few of the publishing industry's most massive mistakes in recent years, and how company's often rush to buy progressive books that almost immediately flop. And why. And as an author of two books myself, it's abundantly clear that these decisions are being made to prop up a predetermined political ideology instead of making sound financial choices. One of the most prominent examples of failed left wing books is "Pageboy," a memoir from actor Elliot Page about transitioning from Ellen Page. Page received a $3 million advance, but sold just 68,000 copies, despite massive promotion, media puff pieces and a celebrity figure with a substantial following. Another example is "Dear Miss Metropolitan," a book about three "black and biracial" girls, which garnered a $250,000+ advance, only to sell 3,163 copies since it was released over two years ago. Claudia Cravens' book, "Lucky Red," received a $500,000 advance and sold just 3,500 copies despite being a "queer feminist Western." Why are there bidding wars over unsuccessful woke books? Because of institutional racism and progressive political obsession within the book publishing community.

New Novel Coming In the Spring

A new thriller, Before the Rain, will be published by Down and Out Books next spring. Here's the long synopsis I just pounded out for D+O's Lance Wright, the man you need to know: A Special Operations “fixer” for Homeland Security, U.S. Marine General Ray Hauser, teams up with Air Force Special Agent Sunny Hicks to recover a stolen GAU-8, the Gatling-gun like nose cannon of the military’s most destructive gunship, the A-10 Warthog. The weapon fires three thousand rounds a minute, each round’s explosive power equal to a stick of dynamite. Attached to a flatbed trailer, parked near Los Angeles traffic at rush hour, three thousand people could die within police response time. Ray has another, more personal incentive to find those who stole the horrific weapon. His wife, Alissa, went missing years ago investigating a similar theft inside the same Arizona desert. If he can solve the GAU-8 case, there’s a chance he can discover what happened to his presumably dead wife, even catch her killers. But that stolen Gatling-gun-like cannon also holds special attraction for Jessie Maris, unhappy wife of the weapon’s chief thief, Nolan Maris, a career criminal who plans to sell the GAU-8 for half a million. Jessie has been abused all her life, especially by the judge in a Family Court case many years ago. When her husband Nolan keeps her in the dark about his plans, then physically beats her, Jessie goes on a rampage that leads her and the GAU-8 to an old abuser and a crowd of innocents. Can Hicks and Hauser stop her? U.S. Special Operations never dealt with a battered, over-the-edge woman like Jessie before

Blue Skies, Les Edgerton

Author, teacher, and friend, Les (Butch) Edgerton died this week at his home in Indiana. He'd been ill for many years, but never stopped writing or helping newer writers find their voice. A man of the street, Les lived a hard, soulful life in New Orleans and elsewhere, eventually writing about the crime and criminals he knew personally, the prisoners he lived with a few years. Easily the nicest, warmest, funniest man I have ever met in half a century of writing, Les made you feel like his best friend on the day you met him. He loved life and he loved humans, understanding our nature in a way no one did before. I loved his books as I loved the man. All of his stories, novels, and writing books are solid examples of marvelous, clean writing. Each is worth reading, though a quirk I admired about the man, his best books carried some fairly unsavory titles, Les refusing all marketing advice from agents, editors, publishers, and writing friends. (Change that title, Butch!) My favorite of his works is called The Rapist. If you were lucky enough to know him, he always signed his emails like this: Blue Skies, Butch.

Casablanca: Plot & Theme Revisited

Since this was one the most important writing lessons I ever learned. (Thank you, Mr. Lehane. I can't call you Dennis because we didn't have a drink together. I still hope.) Anyway, I needed to update my blog and this is the way I'm doing the deed. From many years ago: When the movie CASABLANCA opens and engages us, Humphrey Bogart (Richard Blane) wants the girl from his past, one, and second, to keep himself out of World War II. Rick's hiding. He doesn't like Nazis, but he doesn't want to actively fight anymore. So when the movie ends, when Humphrey and the police captain stroll into the airport fog, does Rick have what he wanted? Oh, hell no, you genre writers! He GAVE UP the freaking girl. She wanted him. He could have taken her back. The love of his freaking life. But no. It was better for the Nazi-fighters if she stayed with her husband. And that's the second part, isn't it? He wanted to stay out of the war, but now, he's not only sacrificing love and happiness, he's marching off to physically fight Nazis again, too. He's changed. He's become a better man. He's placed the whole world above his own little one. (TFA says in the newspaper business, editors used to call this kind of reporter a Crusader Rabbit. After Watergate, they called them boss.) My point? Honestly, troops, I'm not one-hundred percent sure. I'm just a little nervous. Because frankly, when Rick gave up that babe (Ingrid, was it?) to go hold a machine-gun, I had to wonder about his sensibilities. Maybe his manhood. Theme maybe isn't what grabs me. This Casablanca example of theme was the biggest thing TFA says he learned from his writers workshop with Dennis Lehane this past week. Plot is about what your protagonist WANTS. Theme should be woven into what he really NEEDS. Mr. L or his fantastic assistant, Tom Bernardo, mentioned this Casablanca example during class, and it thumped TFA over the head. It's why he risked taking me to a literary writing conference. TFA said he might want to make the Austin Carr Mystery Series grow a bit. I didn't worry much before we went. I figured TFA was full of it. But this Casablanca thing scares me, dudes. I don't want to fight Nazis. You know what I mean. I want to stay single, chase redheads, outwit the bad guys, charm my way out of tight situations. Fun and thrills, right? And now, TFA says he really loves this idea of theme, maybe writing stories so that I, Austin Carr, get what I really need. This is a very frightening thought.