Wednesday, February 18, 2015

Redhead Still Has Her Smile & The Cash

It's been over seven years since Academy Award-winning actress Nicole Kidman first graced our pages. As Redhead of the Week on Tuesday, November 27, 2007, we reported Nicole ranked among the highest paid actresses in Hollywood. $130 million was the figure Celebrity Networth placed on her net assets. She'd won the Academy Award for Best Actress by playing Virginia Woolf in The Hours, starred in hit movies like Cold Mountain, Fur, The Stepford Wives and Bewitched, plus sold a ton of Chanel No. 5 by appearing in perfume advertising.

Unfortunately, times have changed. Though The Crimes of Austin Carr still loves Nicole -- we are forever loyal to our redheads -- the world of Hollywood has turned. She's too old for the big parts, they say, especially after her latest film "Grace of Monaco" bombed. One British critic -- where she was voted Worst Acress of 2014 -- described the film thusly: "A plucky woman fights to stop the super-rich having to pay their taxes."

Unsuccessful films like Grace of Monaco will not affect Nicole's current net worth but could cut the movie offers.

Born on June 20, 1967, Kidman received her breakthrough in the 1989 Australian thriller, Dead Calm. Performances in To Die For, Days of Thunder, Moulin Rouge and The Hours won her worldwide critical acclaim. In 2003, Kidman received her Star on Hollywood's Walk of Fame. Kidman is also a UNICEF Goodwill Ambassador and a successful recording artist.

Because she was born to Australian parents in Honolulu, Hawaii, Kidman has dual citizenship of Australia and the United States.

Thanks to Nicole, Wikipedia and Celebrity Networth

Sunday, February 15, 2015

Ten Strange Things About TFA

As a reporter for The Los Angeles Times, TFA rode with the Associated Press and The New York Times on an oil tanker (The Arco Juneau) out of Valdez, Alaska. They were loaded with the first oil traveling the Alaska Pipeline from Prudhoe Bay, and were the target of multiple bomb threats -- something they told him AFTER they arrived at Cherry Point, Washington. Way to get the scoop, TFA.

He used to work with the grandson of a very famous New York mafia don.

He once delivered -- in person --  a rich dentist and the dentist's large campaign donation to California Governor Jerry Brown and his rock singer girlfriend Linda Ronstadt. She pretended TFA wasn’t there.

He didn’t get the job once because his shoes weren’t shined. What a dope!

His friends call him TFA (The Famous Author) because he is so NOT famous.

BIG NUMBERS is a conglomeration of exaggerated true stories: Fish drowning fishermen; brokers marrying their rich clients’ widows; men living in cars trying to make alimony payments.

TFA loves things from Mexico, especially Mariachis, chili Colorado and tacos.

He has a sometimes dog and a permanent cat that he grouches at for coming in and out of the snow.

He actually believes the third time is the charm because after two divorces, he tried one more time and has now been married 35 years to the same woman.  
He gets sinusitis every winter when the house heat goes on.

He grows secret vegetables in the wife’s flower garden every summer.

Thanks to Jack Getze for being the butt of this joke.

Saturday, February 7, 2015

The Silent Takeover by Mama Bones

I write funny, or screwball mysteries, but I scared myself silly writing Big Mojo, the third novel in my Austin Carr series. Maybe the book really is a thriller. What happened, a supporting character -- Angelina “Mama Bones” Bonacelli -- took over as my favorite writing voice, and that is not supposed to happen. Austin Carr is my chosen speaker, the man whose strange ideas about life found voice inside the devil on my shoulder. Austin’s the star of the show. He talks in first person. It’s his series. Says so on the cover of every book.

Looking back, examining Mama Bones' creation and early appearances, it’s hard to say when and how the change-over occurred. Austin did all the talking in book one, Big Numbers. Mama Bones tickled my funny bone when she showed up in book two, Big Money, by playing out a story I’d heard about one of my wife’s aunts who cheated at a church-sponsored bingo game. In my fictional version of this family story, the cheater — Mama Bones — was the mother of Austin’s boss and tougher than week-old tomato pie. She was hard-edged, owned a sarcastic sense of humor like Austin, but she also had a gigantic heart. And though no scenes were written from Mama Bones’ point of view in either book one or two, I knew she’d be back in Austin’s life.

Why? Because I enjoy making other people laugh, telling stories that crack people up, but I enjoy stories even more when it’s me doing the laughing. Pecking away at that tiny computer keyboard, I like to giggle and hoot while I’m making this stuff up, and I’ve discovered through the comments section of Goodreads and Amazon that if the scene, characters or dialogue make me chuckle or laugh, chances are excellent my fans will enjoy the work as well. Good thing, eh? Or maybe that’s why they’re my fans.

Another reason I knew I’d be coming back to Mama Bones was the wealth of tales I had about my wife’s old aunts and uncles, people now dead. The stories were safe to tell now and way too interesting for this writer to ignore. Thus, I have Mama Bones growing up in the summer resort of Asbury Park where her parents leased special soda-making equipment and illegal betting cards to venders on the Jersey shore, a business begun in the 1920s by her grandparents. Mama Bones’ grandma and grandpa were also political organizers, collecting cash from new Italian immigrants and boardwalk businesses, then delivering the bag money and the local Italian vote to whichever party paid them most.

I wanted to use this background, so in Big Mojo, the third and current series offering, I gave Mama Bones dozens of scenes from her point of view. Like I said, I’m not exactly sure when, but somewhere during the writing of her dialogue and thoughts, she became my favorite character. She was funny, tough and eccentric enough to keep me entertained, verbally abusing her son for being outsmarted by Austin; wondering if she should go for the Sig Sauer 9mm under her pillow; or creating a magic potion to dunk Austin in shark-filled waters.

Yes, I love people that make me laugh, and Mama Bones did the job. I tried her out for a bigger role in Big Mojo and she jumped on it — the whole relationship between her and Austin being funny because the two of them always try to out smart-ass each other. In addition to the humor, though, what gives their interplay a tough edge is underlying tension over Mama Bones’ beloved son Vic, Austin’s partner. Austin can’t be sure of Mama Bones’ intentions — or loyalties. One of Big Mojo’s climactic scenes is probably a good example. I don’t want to give the ending of book three away, but in book four, coming out later this year, Austin briefly recalls what happens in Big Mojo: “And while it is true Mama Bones saved my life several times, the most recent occasion involved only a last minute change of heart, her outlaw hand on a switch that could have ground me into mincemeat.”

I can't wait to find out what she does next.

(The lovely portrait adorning our page today is not actually Mama Bones. Mama Bones is a fictional character and doesn't sit for photographs. I think this is a portrait of my great friend, Carmela Mastria, a lady whose brains and brawn helped me create the Mama Bones character. Or it might also be Aunt Bea.)